works

Anthracite Fields (2014) 65'

SATB chorus, cl, egtr, perc, pno, vc, db

Anthracite Fields was commissioned through Meet the Composer's Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, New York City Department of Cultural Affairs, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund. Additional support was made possible through the Mendelssohn Club of Philadelphia Alan Harler New Ventures Fund; the Presser Foundation; The Pew Center for Arts & Heritage through Philadelphia Music Project.

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works

Fire in my mouth (2019) 48'

SSAA, girls choir, and orchestra 3.3.3.3/4.3.2.1.1/4perc.timp/hp.pf.egtr.ebass/strings

The New York Philharmonic; Cal Performances at the University of California, Berkeley; the Krannert Center at the University of Illinois Urbana-Champaign, and the University Musical Society at the University of Michigan, Ann Arbor.

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interviews

Los Angeles Times

March 2, 2016

By David Ng

When you win a Pulitzer Prize for music, you hear about it just like everyone else — in the news perhaps, or from other people who read about it before you do.

You don’t know anything, said composer Julia Wolfe, who won the coveted award last year for her choral piece Anthracite Fields, an unconventional exploration into the history of coal mining in rural Pennsylvania.

Wolfe recalled that she was at home in her Tribeca loft, working with colleagues from the Bang on a Can ensemble, when a call came in from Washington, DC…

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Steel Hammer film premiere at Cal Performances at Home (streaming)

Cal Performances at Home premieres Steel Hammer, a new film featuring the acclaimed oratorio by Julia Wolfe. Film will be available on demand through August 4.

Described by The Boston Globe as “[an] epic explosion and reconstruction of the folk ballad,” Julia Wolfe’s Steel Hammer is a meditation on over 200 versions of the John Henry legend, with voices and the Bang on a Can All-Stars, along with mountain dulcimer, wooden bones, banjo, harmonicas, clogging, and body percussion…

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Wolfe named 2021-2022 Carnegie Hall’s Debs Composer’s Chair

Julia Wolfe named Carnegie Hall’s
2021-2022 Debs Composer’s Chair

Julia Wolfe has been announced as the Richard and Barbara Debs Composer’s Chair at Carnegie Hall for the 2021–2022 season. Wolfe creates music that has been described as emotionally charged, viscerally powerful, and socially conscious. As a composer, she responds to the world around her, bringing unsung histories to life in riveting musical tableaux, with a focus on the multifaceted history of the American worker…

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Anthracite Fields at NY Phil Biennial

On May 30 and 31, the NY PHIL Biennial presents the New York premiere of Julia Wolfe’s newest work, Anthracite Fields, with the Bang on a Can All-Stars and the Choir of Trinity Wall Street (Julian Wachner, conductor). In the new work, Wolfe draws from oral histories, interviews, speeches, geographic descriptions, local rhymes, and coal advertisements to create a unique oratorio that provides an intimate look at an important slice of American life…

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Julia Wolfe Wins 2015 Pulitzer Prize in Music

Julia Wolfe Wins 2015 Pulitzer Prize in Music for Anthracite Fields
an oratorio for chorus and instruments

“[Anthracite Fields] captures not only the sadness of hard lives lost…but also of the sweetness and passion of a way of daily life now also lost. The music compels without overstatement. This is a major, profound work.” — Mark Swed, LA Times

Read NPR interview with Wolfe here

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