On May 30 and 31, the NY PHIL Biennial presents the New York premiere of Julia Wolfe’s newest work, Anthracite Fields, with the Bang on a Can All-Stars and the Choir of Trinity Wall Street (Julian Wachner, conductor). In the new work, Wolfe draws from oral histories, interviews, speeches, geographic descriptions, local rhymes, and coal advertisements to create a unique oratorio that provides an intimate look at an important slice of American life.
Wolfe writes about Anthracite Fields:
I grew up in a small town in Pennsylvania — Montgomeryville. When we first moved there the road was dirt and the woods surrounding the house offered an endless playground of natural forts and ice skating trails. At the end of the long country road you’d reach the highway — route 309. A right turn (which was the way we almost always turned) led to the city, Philadelphia. A left turn on route 309 (which we hardly ever took) lead to coal country, the anthracite field region. I remember hearing the names of the towns, and though my grandmother grew up in Scranton, everything in that direction, north of my small town, seemed like the wild west.
Anthracite is the diamond of coal — the purest form. At the turn of the century the anthracite fields of Pennsylvania became the power source for everything from railroads to industry to heating homes. But the life of the miner was difficult and dangerous. I had been immersed in issues of the American worker – composing Steel Hammer, an evening length art-ballad on the legend of John Henry. For Anthracite Fields I went deeper into American labor history — looking at both local and national issues that arose from coal mining. I went down into the coal mines, visited patch towns and the local museums where the life of the miners has been carefully depicted and commemorated. I interviewed retired miners and children of miners who grew up in the patch. The text is culled from oral histories and interviews, local rhymes, a coal advertisement, geological descriptions, a mining accident index, contemporary daily everyday activities that make use of coal power, and an impassioned political speech by John L. Lewis, the head of the United Mine Workers Union.
My aim with Anthracite Fields is to honor the people who persevered and endured in the Pennsylvania Anthracite coal region during a time when the industry fueled the nation, and to reveal a bit about who we are as American workers.
Anthracite Fields was commissioned by the Mendelssohn Club of Philadelphia through Meet the Composer’s Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, New York City Department of Cultural Affairs, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund. Additional support was made possible through the Mendelssohn Club of Philadelphia Alan Harler New Ventures Fund; The Presser Foundation; The Pew Center for Arts and Heritage; the National Endowment for the Arts; The Musical Fund Society of Philadelphia; and the Aaron Copland Fund for Music.