works

Anthracite Fields (2014) 65'

SATB chorus, cl, egtr, perc, pno, vc, db

Anthracite Fields was commissioned through Meet the Composer's Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, New York City Department of Cultural Affairs, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund. Additional support was made possible through the Mendelssohn Club of Philadelphia Alan Harler New Ventures Fund; the Presser Foundation; The Pew Center for Arts & Heritage through Philadelphia Music Project.

Program Note Libretto Video Recordings score preview More Info

project
news

Anthracite Fields receives Grammy nomination

Julia Wolfe’s, Anthracite Fields, her Pulitzer prize-winning oratorio for chorus and amplified ensemble, has received a Grammy nomination for Best Contemporary Classical Composition.

Click here to listen to an NPR feature on Anthracite Fields.

Wolfe wrote the work after doing extensive research about the coal-mining industry in an area very near where she grew up in Pennsylvania. Her text draws on oral histories, interviews with miners and their families, speeches, geographic descriptions, children’s rhymes, and coal advertisements…

continue reading
news

Pulitzer Prize-winning Anthracite Fields released on CD

Julia Wolfe’s Pulitzer-Prize winning oratorio for chorus and instruments, Anthracite Fields, will be released on Cantaloupe Music on September 25, 2015. Wolfe wrote the piece after doing extensive research about the coal-mining industry in an area very near where she grew up in Pennsylvania. Her text draws on oral histories, interviews with miners and their families, speeches, geographic descriptions, children’s rhymes, and coal advertisements…

continue reading
news
news

Anthracite Fields at NY Phil Biennial

On May 30 and 31, the NY PHIL Biennial presents the New York premiere of Julia Wolfe’s newest work, Anthracite Fields, with the Bang on a Can All-Stars and the Choir of Trinity Wall Street (Julian Wachner, conductor). In the new work, Wolfe draws from oral histories, interviews, speeches, geographic descriptions, local rhymes, and coal advertisements to create a unique oratorio that provides an intimate look at an important slice of American life…

continue reading
news

some exciting upcoming performances!…….. Steel Hammer, Anthracite Fields, True Love concerto

Steel Hammer

After a superb premiere at The Krannert Center in Urbana-Champaign, IL, the staging of Julia Wolfe’s Steel Hammer by director Anne Bogart and her SITI Company with the Bang on a Can All-Stars goes on tour beginning October 23, with a final performance at the Brooklyn Academy of Music in December!

Steel Hammer
staged by Anne Bogart with SITI Company;
Bang on a Can All-Stars

UCLA: 10/23-24
Virginia Tech: 11/17
OZ Arts, Nashville: 11/21
Brooklyn Academy of Music: 12/2-12/6

Anthracite Fields

Then On November 14, Julia Wolfe returns to the anthracite coal region in Pennsylvania, which inspired her Pulitzer prize-winning oratorio, Anthracite Fields…

continue reading
news

Anthracite Fields performed in Coal Country

On November 14, Julia Wolfe returns to the anthracite coal region in Pennsylvania, which inspired her Pulitzer prize-winning oratorio, Anthracite Fields. In order to share the piece with the community that gave her such invaluable assistance in her research, Wolfe will participate in tours of the Lackawanna Coal Mine and give a talk at the Anthracite Heritage Museum in Scranton. That evening, the Bang on a Can All-Stars and the Choir of Trinity Wall Street, conducted by Julian Wachner, will perform Anthracite Fields at the brand-new Allan P…

continue reading
recordings
news

Anthracite Fields feature:

As Trump Tries to Revive Coal, an Oratorio Confronts Mining’s Past

By MICHAEL COOPER APRIL 4, 2017

LEWISBURG, Pa. — Onstage, a choir intoned the names of coal miners whose deaths and injuries had landed them on the Pennsylvania Mining Accident index more than a century ago. In the lobby, members of the audience — some of whom came on free shuttle buses that picked them up from nearby coal towns — created an index of their own, writing about their mining ancestors in a small leather notebook held open with a coal paperweight…

continue reading