works
works

Shelter (2005) 65'

music by Michael Gordon, David Lang and Julia Wolfe; text by Deborah Artman

3 Sop, fl, ob, cl, bn, hn, tpt, tbn, tba, pno, egtr, eb, perc, 2 vln, vla, vc, cb [all instruments and voices amplified]

The Next Wave Festival of the Brooklyn Academy of Music, musikFabrik and Kunstiftung NRW

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interviews

Julia Wolfe on NEPR

August 1, 2014

The music of Beethoven and Bach gets a lot of attention in the Berkshires every summer. But amid the more august offerings, there is a musical collective that wants to rip the powdered wig off traditional classical music. Playing the work of living composers, and using unconventional methods, they are interested in anything but a musical history lesson.

Leading a string ensemble of about twenty musicians an hour before their public recital, conductor Brad Lubman gives his players an unusual criticism—they sound too polished, clean, locked in with each other…

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interviews

The New York Times

February 1, 2011

By Allan Kozinn

Like most composers, Julia Wolfe is often in two places at once psychically: working on new pieces (with working defined as anything from cogitating and experimenting to actually putting the notes on paper) but also seeing that the backlist is getting attention. In recent weeks she has been putting the finishing touches on “Iron Maiden,” a new solo work for the percussionist Evelyn Glennie, and working on “Combat de Boxe,” for the Asko Ensemble of the Netherlands…

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news

Fuel and Cruel Sister at Carnegie Hall

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This season Julia Wolfe’s large works for string orchestra, Fuel and Cruel Sister, are performed at Carnegie Hall by two of the country’s leading interpretors of contemporary works.

On October 25, Robert Spano leads the American Composers Orchestra in their Carnegie performance of Julia Wolfe’s full-throttled work for strings, Fuel, on a concert dubbed “Orchestra Underground: Adding Fuel to the Fire”…

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news
news

Shelter CD in stores and online!!

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It’s been a long time coming, but Shelter is finally here!

The latest collaborative work by Michael Gordon, David Lang, and Julia Wolfe is a modern oratorio that reunites the Bang on a Can founders with Deborah Artman (author of the libretto for 2001’s Lost Objects). Produced by Michael Riesman, this premiere recording was performed by Ensemble Signal under the baton of conductor Brad Lubman, and features solo voices Martha Cluver, Mellissa Hughes and Caroline Shaw

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