Biography

Julia Wolfe’s music is distinguished by an intense physicality and a relentless power that pushes performers to extremes and demands attention from the audience. She draws inspiration from folk, classical, and rock genres, bringing a modern sensibility to each while simultaneously tearing down the walls between them.

Her Pulitzer prize-winning work, Anthracite Fields, a concert-length oratorio for chorus and instruments, draws on oral histories, interviews, speeches, and more to honor the people who persevered and endured in the Pennsylvania Anthracite coal region. Mark Swed of the LA Times wrote Anthracite Fields "captures not only the sadness of hard lives lost...but also of the sweetness and passion of a way of daily life now also lost. The music compels without overstatement. This is a major, profound work."

Recent projects include her evening-length Steel Hammer for the Bang on a Can All-Stars and singers which toured in an expanded theatrical form with director Anne Bogart and her SITI Company. Wolfe’s body concerto riSE and fLY — commissioned by the BBC and performed recently by the Cincinnati Symphony — features rapid-fire body slaps and street percussion. In 2019, the New York Philharmonic premieres her large-scale work for orchestra and women's chorus, Fire in my mouth, continuing her interest in American labor history with the subject of women in New York's garment industry at the turn of the century.

Wolfe has written a major body of work for strings, from quartets to full orchestra. Her quartets, as described by The New Yorker, "combine the violent forward drive of rock music with an aura of minimalist serenity [using] the four instruments as a big guitar, whipping psychedelic states of mind into frenzied and ecstatic climaxes." Wolfe's Cruel Sister for string orchestra, inspired by a traditional English ballad, was commissioned by the Munich Chamber Orchestra and received its U.S. premiere at the Spoleto Festival. Fuel for string orchestra is a collaboration with filmmaker Bill Morrison. She has collaborated with theater artist Anna Deveare Smith, choreographer Susan Marshall, designers Jeff Sugg and Jim Findlay, and director François Girard, among others. Wolfe was the recipient of a 2015 Herb Alpert Award in Music. Her music has been heard at venues throughout the world, including the Sydney Olympic Arts Festival, LG Arts Center (South Korea), Settembre Musica (Italy), Theatre de la Ville (France), the Brooklyn Academy of Music, Lincoln Center, and Carnegie Hall, and has been recorded on Cantaloupe Music, Teldec, Point/Universal, Sony Classical, and Argo/Decca.

Wolfe was a 2016 MacArthur Fellow and was a recipient of the 2015 Herb Alpert Award in Music. She is on faculty at the NYU Steinhardt School and is co-founder/co-artistic director of New York’s legendary music collective Bang on a Can. Her music is published by Red Poppy, Ltd. (ASCAP) and is distributed worldwide by G. Schirmer, Inc.

Julia Wolfe draws inspiration from folk, classical, and rock genres, bringing a modern sensibility to each while simultaneously tearing down the walls between them.

Her Pulitzer-winning concert-length oratorio, Anthracite Fields for chorus and instruments, draws on oral histories, interviews, speeches, and more to honor the people who persevered and endured in the Pennsylvania Anthracite Coal Region. Other recent projects include the evening-length Steel Hammer for the Bang on a Can All-Stars and singers, and a “body concerto”, riSE and fLY, commissioned and premiered by the BBC, that features rapid-fire body slaps and street percussion. In 2019, the New York Philharmonic premieres Wolfe’s large-scale work for orchestra and women’s chorus, Fire in my mouth, continuing her interest in American labor history with the subject of women in New York’s garment industry at the turn of the century.

Wolfe’s music is distinguished by an intense physicality and a relentless power that pushes performers to extremes and demands attention from the audience. She has written a major body of work for strings, from quartets to full orchestra. Her quartets, as described by The New Yorker, "combine the violent forward drive of rock music with an aura of minimalist serenity [using] the four instruments as a big guitar, whipping psychedelic states of mind into frenzied and ecstatic climaxes." Her music has been heard at venues throughout the world and has been recorded on the Cantaloupe Music, Teldec, Point/Universal, Sony Classical, and Argo/Decca labels.

Wolfe is a 2016 MacArthur Fellow and was a recipient of a 2015 Herb Alpert Award in Music. She is on faculty at the NYU Steinhardt School and is co-founder/co-artistic director of New York’s legendary music collective Bang on a Can. Her music is published by Red Poppy, Ltd. (ASCAP) and is distributed worldwide by G. Schirmer, Inc.