works

Fountain of Youth (2019) 9'

3(3).3.3.2(cbn)/4.3.3(btbn).1/timp.perc.pf/strings(ebgtr)

Fountain of Youth was commissioned by the New World Symphony — America’s Orchestra Academy — and by Carnegie Hall, with additional support from a consortium of orchestras: Dallas Symphony Orchestra, Cincinnati Symphony Orchestra, Pittsburgh Symphony Orchestra, Detroit Symphony Orchestra and San Francisco Symphony. The World Premiere was given by the New World Symphony at the New World Center in Miami Beach, Florida on April 26, 2019.

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Anthracite Fields (2014) 65'

SATB chorus, cl, egtr, perc, pno, vc, db

Anthracite Fields was commissioned through Meet the Composer's Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, New York City Department of Cultural Affairs, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund. Additional support was made possible through the Mendelssohn Club of Philadelphia Alan Harler New Ventures Fund; the Presser Foundation; The Pew Center for Arts & Heritage through Philadelphia Music Project.

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Fire in my mouth (2019) 48'

SSAA, girls choir, and orchestra 3.3.3.3/4.3.2.1.1/4perc.timp/hp.pf.egtr.ebass/strings

The New York Philharmonic; Cal Performances at the University of California, Berkeley; the Krannert Center at the University of Illinois Urbana-Champaign, and the University Musical Society at the University of Michigan, Ann Arbor.

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interviews

Big risks and adventurous friends: How composer Julia Wolfe became a renegade

September 15, 2022
Julia Wolfe, composer
© Peter Serling download original
NPR Music
Editors’ Picks

Sometimes, all you need is a little push. In the fall of 1976, when Julia Wolfe arrived at the University of Michigan from Pennsylvania, she was just 17 and viewed herself as a “wild teenager” with her sights on social sciences and politics. Activism was a possible path. Music wasn’t on her radar.

But one day, a friend coaxed Wolfe into taking a peculiar music class, taught by a forward-thinking Quaker who didn’t care how much you knew about composing…

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