works
works

Music for Airports (1998) 48'

cl, egtr, perc, pno, vc, db

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works
works

Shelter (2005) 65'

music by Michael Gordon, David Lang and Julia Wolfe; text by Deborah Artman

3 Sop, fl, ob, cl, bn, hn, tpt, tbn, tba, pno, egtr, eb, perc, 2 vln, vla, vc, cb [all instruments and voices amplified]

The Next Wave Festival of the Brooklyn Academy of Music, musikFabrik and Kunstiftung NRW

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Steel Hammer (2009) 70'

SSA, cl, perc, gtr, pf, vc, db

Maria and Robert A. Skirnick and Carnegie Hall

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interviews

Big risks and adventurous friends: How composer Julia Wolfe became a renegade

September 15, 2022
Peter Serling download original
NPR Music
Editors’ Picks

Sometimes, all you need is a little push. In the fall of 1976, when Julia Wolfe arrived at the University of Michigan from Pennsylvania, she was just 17 and viewed herself as a “wild teenager” with her sights on social sciences and politics. Activism was a possible path. Music wasn’t on her radar.

But one day, a friend coaxed Wolfe into taking a peculiar music class, taught by a forward-thinking Quaker who didn’t care how much you knew about composing…

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works

The Carbon Copy Building (1999) 72'

music by Michael Gordon, David Lang and Julia Wolfe; Text by Ben Katchor

Cast: Ms, T, Bar, Bar/Ct; cl(bcl, cbcl, ssx)/perc/syn/egtr [all instruments and voices amplified]

Settembre Musica Festival and the city council of Turin, Italy, with additional support from the National Endowment for the Arts.

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event
works

Lost Objects (2001) 62'

music by Michael Gordon, David Lang and Julia Wolfe; Text by Deborah Artman

Sop, 2 countertenors, small chor, DJ, baroque orch, egtr, eb, perc, synth [all instruments and voices amplified]

Dresden Festival

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